Here is some art that I like an incredible lot, and you might too. It’s made in 1913, but in a very much Art Nouveau style, I do think it fits very well with the theme of this blog. This art is by Kay Neilsen for the book In Powder and Crinoline: Old Fairy Tales, written by Arthur Quiller-Couch.
I like them incredibly much, how about you? You can read all about Kay Neilsen here.
Read Full Post »
These days, thanks to the amazing Google Art Project, you don’t need to travel to see great art. You can browse paintings and sculptures by your favourite artist, timeperiod, or museum.
So for today, I curated this little exhibition for you from works that are located in the Alte Nationalgalerie in Berlin. The museum itself is much more amazing, and in no way comparable to seeing art online, but it’s still nice to have all the art you want at your fingertips.
A little collection of romantic and impressionist artworks, closing with my favourite artist of all time.
Spring Landscape, 1862, Charles-François Daubigny
In the Conservatory, 1878 – 1879, Edouard Manet
The Grove, or the Admiral’s House in Hampstead, 1821 – 1822, John Constable
The Isle of the Dead, 1883, Arnold Böcklin
Seine Landscape near Chatou, 1855, Jean-Baptiste Camille Corot
The Flax Barn at Laren, 1887, Max Liebermann
Moonrise over the Sea, 1822, Caspar David Friedrich
Read Full Post »
I am not a big fan of the poetry of John Keats (my professor says “of course, noone likes Keats” but that might be an overstatement) but his lifestory is so beautiful and sad and romantic that I wanted to share it here.
John Keats was an English poet who lived from 1795 to 1821, he died at 26 leaving an impressive amount of high-quality poetry. Before he was 15, his mother, father, and grandfather had died. When his grandmother died, he was entrusted with the care of his brother Tom, who suffered from tuberculosis, the same illness that had killed his mother. Keats left for a journey through Scotland and Ireland, but the physical exhaustion and bad, wet weather proved to be bad for his health. He had to return early, suffering from a sore throath, and what were probably the first signs of tuberculosis. When he returned, he found his brother Tom’s condition had deteriorated, and he died in 1818.
Keats moved house and fell in love with his neighbor’s daughter, the eighteen-year old Fanny Brawne. It was a very unhappy affair: while the couple did get engaged, they knew they would probably never marry because Keats was very poor (the little money he made he send to his other brother in America, who was almost bankrupt due to an unwise investment) and his health was quickly worsening.
In 1820 he was invited to spend some time in Italy by Percy Bysshe Shelley, but he writes back that he might not be able to visit, because he thinks he might die before that time. Finally he did move to Italy, where he died in 1821.
Keats was a very sensitive person, and it is said that his health was influenced by bad reviews on his poetry, which were above all motivated by politics, not by the poetry’s quality. Shelley called Keats “a pale flower” and Byron, who disliked him, said he was “snuffed out by an article.” Keats’ death later inspired Shelley to write the poem Adonais, and when Shelley’s drowned body was found (a year after Keats’ death) it had an open book of Keats’ works upon it.
Keats’ letter to Shelley can be read here.
(Sources: http://en.wikipedia.org/wiki/Keats, the Norton Anthology of English literature, Vol II, 8th Edition.)
Read Full Post »
Posted in 19th century, artists, history, people, victorian, tagged 19th century, artist, denmark, sculpting, sculptor, thorvaldsen, victorian on June 15, 2008|
Leave a Comment »
Thorvaldsen was born in Copenhagen in 1770 (according to some accounts, in 1768), the son of an Icelander who had settled in Denmark and there carried on the trade of a wood-carver. This account is disputed by some Icelanders, who claim Thorvaldsen was born in Iceland.
Young Thorvaldsen attended Copenhagen’s Royal Danish Academy of Art (Det Kongelige Danske Kunstakademi), winning all the prizes including the large Gold Medal. As a consequence, he was granted a Royal stipend, enabling him to complete his studies in Rome, where he arrived on March 8, 1797. Since the date of his birth had never been recorded, he celebrated this day as his “Roman birthday” for the rest of his life.
Thorvaldsen’s first success was the model for a statue of Jason, which was highly praised by Antonio Canova, the most popular sculptor in the city. He had worked on this statue for 25 years. In 1803 he received the commission to execute it in marble from Thomas Hope, a wealthy English art-patron. From that time Thorvaldsen’s success was assured, and he did not leave Italy for sixteen years.
In 1819 he visited his native Denmark. Here he was commissioned to make the colossal series of statues of Christ and the twelve Apostles for the rebuilding of Vor Frue Kirke (from 1922 known as the Copenhagen Cathedral) between 1817 and 1829, after its having been destroyed in the British bombardment of Copenhagen in 1807. These were executed after his return to Rome, and were not completed till 1838, when Thorvaldsen returned to Denmark, being received as a hero.
He died suddenly in the Copenhagen Royal Theatre on March 24, 1844, and bequeathed a great part of his fortune for the building and endowment of a museum in Copenhagen, and also left to fill it all his collection of works of art and the models for all his sculptures very large collection, exhibited to the greatest possible advantage. Thorvaldsen is buried in the courtyard of this museum, under a bed of roses, by his own special wish.
The Thorvaldsen museum was started in 1839 and was designed by Danish architect H.G. Bindesbøll. Except for the regular collection, there are various exhibitions of new and young artists. Helping new talent was one of the last wishes of Thosvaldsen. Apart from Thorvaldsens work, there are also various paintings from his own collection, mostly from Danish and Norwegian painters whom he met in Rome.
Read Full Post »